
Weapons Behind The Scenes | Warner Bros.
Weapons brings the gore and horror, all created by set design, makeup, stunts, and special effects. Go behind the scenes to see it all come together.
Weapons brings the gore and horror, all created by set design, makeup, stunts, and special effects. Go behind the scenes to see it all come together.
F1 The Movie goes behind the scenes of the making of the film partnering with FORMULA 1 teams and drivers like Lewis Hamilton.
Meticulously matching defocus and lensing, the Wētā FX compositors ensured the dragons in House of the Dragon: S2 seamlessly fit into their environments.
Digital Domain proudly contributed nearly 400 VFX shots to Marvel Studios' “The Fantastic Four: First Steps,” helping bring Marvel’s First Family to life in a vibrant retro-futuristic world.
Explore the cordy-ceptional work the team at DNEG crafted for The Last of Us Season 2
It takes a village to raise a dragon. See Christian Manz and his team at Framestore breakdown the work they did on Toothless.
Take a look behind the scenes at how H.E.R.B.I.E. was brought to life!
When director Joe Kosinski and producer Jerry Bruckheimer set out to make “F1,” their goal was to create the most authentic Formula One film ever made.
For this special Halloween Edition, the team flashes back to Ghostbusters II with VFX legend Bill George who shares stories from the model shop.
What’s really going on in the visual effects industry? Emmy-nominated VFX executive and HDRI Consulting founder Joseph Bell joins host Paul DeNigris.
A collection of featurettes from the 2024 entry in the Alien franchise, Alien: Romulus.
For the Oscar nominated film Alien: Romulus, our artists pursued the practical aesthetic and atmosphere of the original Alien films and subtly enhanced the Offspring creature with touches of CG.
From Xenomorphs and Facehuggers to spacecraft and environments, go Behind the Magic with ILM and explore the visual effects of Alien: Romulus in this exclusive breakdown.
ILM Originals and Director Chris Hawkinson bring you an inside look at the filmmakers and artists that brought “The Creator” to the big screen.
'The Creator' director Gareth Edwards and Industrial Light & Magic visual effects supervisor Jay Cooper talk to Ian Failes from befores & afters.
Out of 1,520 shots in Kingdom of the Planet of the Apes, only 38 had no visual effects and 33 minutes of the film were completely digital.
Lava, embers, water simulations - even the dust kicked up around their feet - everything needed to be scaled up to look believable interacting with 300-foot titans when Kong and Suko take on Skar King and his horde.
Bringing Cosmo to the forefront in Guardians of the Galaxy Vol. 3 presented a unique challenge for the team at Framestore.
Hear from writer, director, and VFX supervisor Takashi Yamazaki and learn more about the unique approach Shirogumi took with the visual effects of Godzilla Minus One.
SoundWorks explores the captivating sound design and music of Pixar's Inside Out 2, an emotional rollercoaster that explores the inner workings of a young mind.
Visionary director Denis Villeneuve discusses the creative benefits of early collaboration with his sound team, the process of crafting Dune's unique soundscapes including: Arrakis desert, sandworm, ornithopter, spice (melange) and the voice of the Bene Gesserit.
Go behind the scenes of HBO's Emmy Award winning 'Chernobyl' in our new Behind the VFX 4-part series.
MPC Film led the visual-effects work on 1917, with approximately 600 artists contributing to the film, which was shot almost entirely outdoors on locations around the United Kingdom.
Proud recipients of the Visual Effects Society Award for Outstanding Model in a Photoreal or Animated Project: LAPD Building.
In this exclusive video profile we feature the sound team behind Director Denis Villeneuve's, Blade Runner 2049.
The award-winning documentary about the fascinating and harrowing making of Apocalypse Now, one of the most celebrated films in American cinema.
VICE toured the sequel's set with the folks who brought it to life, speaking with the production designer, producer, and director Denis Villeneuve to see how it all got made.
The Dolby® Institute and the SoundWorks Collection have collaborated to produce a series of podcast conversations with the artists nominated for Academy Awards® for Best Achievement in Sound Editing and Best Achievement in Sound Mixing.
Led by Production VFX Supervisor Richard Stammers, and MPC VFX Supervisors Anders Langlands, MPC was lead VFX studio on Ridley Scott’s The Martian, delivering 425 shots.
Star Trek Into Darkness contains over 1600 visual effects shots, created by Industrial Light & Magic, Pixomondo, Atomic Fiction and Kelvin Optical Inc.
Douglas Trumbull painstakingly crafted the visual effects for Star Trek: The Motion Picture.
In this exclusive SoundWorks Collection sound profile we talk with Supervising Sound Editor and Sound Designer Richard King about the sound teams extensive work on Director Christopher Nolan's immersive sci-fi film Interstellar.
George Lucas and others discuss the production and the making of THX 1138 (1971).
This is a section from The Appendices on the logistics of making actors look smaller and bigger, through various practical means.
The making of the original Blade Runner (1982). Go behind the scenes to see Ridley Scott's meticulous nature, Harrison Ford's experience on set, and more from the cast and crew!