Chat with Cary Phillips, Director, R&D Engineering Architect at ILM. Cary has been recognized with three Academy Scientific and Technical Awards. These were for the Caricature Animation System in 1998, the ILM Creature Dynamics System in 2001 and the ILM Shape Sculpting System in 2015.
Explore the award-winning VFX behind Prehistoric Planet: Ice Age, the critically acclaimed third season of the docuseries executive produced by Jon Favreau and Mike Gunton and produced by the BBC Studios Natural History Unit.
Go behind-the-scenes at the Ranch with Skywalker Sound's Ben Burtt and Foley artist John Roesch as they discuss how they created the iconic sounds of Raiders of the Lost Ark!
For season 2 of Severance, ESE delivered over 800 visual effects shots, ranging from the iconic “Zolly” transformations between the Innie and the Outie state, to snow enhancements and icy roads, to blue screen comps and various challenging VFX tasks.
The world needs this video of Hugh Jackman interacting with sheep stuffies. B-roll from The Sheep Detectives, including stuffies and stand-ins for the sheep in the film.
Bringing the many forms of the infamous Pennywise to life in IT: Welcome to Derry was an absolute thrill for our teams! Whether it meant pushing his Killmouth design further or creating new transformations, such as cloth-like wings, our artists embraced every opportunity to expand the character’s presence on screen.
Go behind the sound of ANDOR Season 2 with Margit Pfeiffer, Supervising Sound Editor and Dialogue & ADR Supervisor. Now nominated for a BAFTA TV Craft Award for Sound: Fiction!
Go behind-the-scenes of ANDOR Season 2 with Tony Gilroy and Alan Tudyk. Now nominated for a BAFTA TV Craft Award for Special, Visual, and Graphic Effects!
Go behind the scenes of James Gunn's Supergirl. This is a marketing thing here, but I'm excited for the movie so I'm putting this up here.