The sound of Spider-Noir blends gritty period character with immersive mixing. Re-recording Mixer/Sound Designer Ryan Collins and Re-recording Mixer Nick Offord explore vintage dialogue treatments, atmospheric transitions, distinctive web effects, and inventive sonic details—including a unique sound for Spider-Sense—to create a fresh sonic identity for this new take on Spider-Man.
Christopher Nolan's 'The Odyssey' became the first feature-length commercial film to be shot and released entirely in 70mm IMAX. The quest was decades in the making, with Nolan first shooting action sequences on 70mm IMAX for 'The Dark Knight.'
This is a podcast about the role of VFX coordinators. I joined Ian Failes of Befores and Afters magazine. We discussed my role on the Disney live-action film, Moana, among other things.
How the VFX team on The Matrix dreamt up Bullet Time by combining 3 separate innovations. Ian dives into the history and details of the techniques used for this marvelous effect.
Biased here because I was on this one! Disney's live-action 'Moana' is making waves as it arrives exclusively in theaters on Friday, July 10. In this behind-the-scenes look, discover how stars Dwayne Johnson and Catherine Lagaʻaia, along with director Thomas Kail, reimagined one of the studio's most beloved animated classics.
Chat with Cary Phillips, Director, R&D Engineering Architect at ILM. Cary has been recognized with three Academy Scientific and Technical Awards. These were for the Caricature Animation System in 1998, the ILM Creature Dynamics System in 2001 and the ILM Shape Sculpting System in 2015.
Explore the award-winning VFX behind Prehistoric Planet: Ice Age, the critically acclaimed third season of the docuseries executive produced by Jon Favreau and Mike Gunton and produced by the BBC Studios Natural History Unit.
Go behind-the-scenes at the Ranch with Skywalker Sound's Ben Burtt and Foley artist John Roesch as they discuss how they created the iconic sounds of Raiders of the Lost Ark!
For season 2 of Severance, ESE delivered over 800 visual effects shots, ranging from the iconic “Zolly” transformations between the Innie and the Outie state, to snow enhancements and icy roads, to blue screen comps and various challenging VFX tasks.