Director Zach Cregger used practical effects instead of VFX to film the 'Jump Street' sequence in Resident Evil. By dropping 150 lb blood bags from cranes, he captured realistic, dangerous zombie explosions. The sequence was specifically filmed for IMAX to highlight the authentic physics of the stunt work.
Explore the creative process behind bringing prehistoric creatures to a modern suburban landscape. Warner Bros. Entertainment showcases the intricate collaboration between the film's cast, stunt performers, and Industrial Light & Magic to design and animate unique, dangerous dinosaurs for this intense production.
Explore the groundbreaking production of Jurassic Park, highlighting the collaboration between filmmakers, paleontologists, and visual effects artists. Gain insight into the innovative blend of practical animatronics and pioneering digital technology that brought prehistoric creatures to life, forever transforming the landscape of modern cinema.
Go behind the scenes to see how our talented team of editors and foley artists brought the history of Disneyland to life frame-by-frame in Disneyland Handcrafted, directed by Leslie Iwerks.
Oscar®-winning editor Stephen Mirrione, ACE says he “didn’t know anything” about Formula One before working on the film. But that didn’t matter once he read Joseph Kosinski’s script. The commitment to authenticity, deep research, and sheer ambition made the decision easy.
Oscar-winning editor Joe Walker, ACE invites you into his personal cutting room to demonstrate how he used storyboards, sound effects and basic vfx techniques to develop and plan out the proper timing for scenes in Dune: Part Two. Joe will show how the 'Paul Rides the Sandworm' sequence was plotted out even before he had a frame of footage.
Severance editor Geoffrey Richman reveals the editing techniques and timeline used to build the emotional intensity of the season 2 finale. He reviews the process behind key scenes that build up to the edit's two key anchor points -- ultimately leading to an intense final moment in the season.
MAESTRO editor Michelle Tesoro is no stranger to cutting movies directed by actors. In fact, it was while she was working with actor Sean Penn on his film FLAG DAY, that Penn turned to Michelle and told her that he just texted friend Bradley Cooper that she was a 'goddess in the cutting room'. Clearly that pitch worked as Cooper entrusted Michelle with the editorial duties for his much-anticipated biopic.
Side by Side is a 2012 American documentary film directed by Christopher Kenneally. It was produced by Justin Szlasa and Keanu Reeves. It premiered at the 62nd Berlin International Film Festival and it was shown at the Tribeca Film Festival.