Christopher Nolan's 'The Odyssey' became the first feature-length commercial film to be shot and released entirely in 70mm IMAX. The quest was decades in the making, with Nolan first shooting action sequences on 70mm IMAX for 'The Dark Knight.'
Cinematographer, Michael Bauman, breaks down how 'One Battle After Another' blends the rich detail of VistaVision with the raw, gritty energy of 1970s cinema.
Dolby Labs sits down with Jon M. Chu and Alice Brooks to discuss the look and feel of the Wicked follow up.
From Kentucky roots to a van full of stormtroopers, Chief Lighting Technician Alex Gaynor has lit some of the biggest shows in the galaxy, like The Mandalorian and The Book of Boba Fett.
Learn how Gaffer Justin Dickson, frequent collaborator with Paul Thomas Anderson and Michael Bauman, stays nimble and bright at night with limited power sources when shooting large swaths of downtown El Paso for One Battle After Another.
Dolby Labs are joined by Academy Award®-nominated cinematographer Hoyte Van Hoytema, ASC, FSF, NSC. He discusses how he got his start in the film business, working with Christopher Nolan, shooting “Oppenheimer” on film, how they did all those in-camera practical effects, and his fears about creating a dynamically visual film… with so much dialogue.
In this interview, learn how Oren Soffer and Greig Fraser scaled down their lighting package to shoot a blockbuster movie without any creative restraints.
Director of Photography, Eben Bolter, from The Last of Us, takes us through his approach to naturalistic lighting.
Go behind the scenes of Sony Pictures' new movie, Gran Turismo, to see how they capture real racing at high speed with real cars.
Claudio Miranda ASC, Director of Photography, Top Gun: Maverick shares what it takes to capture the amazing aerial shots in Top Gun: Maverick.
Director Matt Reeves joins Dolby Labs to discuss The Batman. This is part 2 of a special 2-part episode on this movie, where they discuss the film's incredible cinematography.
A fascinating deep dive into the making of 1917 by Sam Mendes and his team. Roger Deakins looks at his work and lighting a oner.