House Of Dragon S2 VFX Compositing | Wētā FX
Meticulously matching defocus and lensing, the Wētā FX compositors ensured the dragons in House of the Dragon: S2 seamlessly fit into their environments.
Visual Effects
The VFX Of Fantastic Four: First Steps | Digital Domain
Digital Domain proudly contributed nearly 400 VFX shots to Marvel Studios' “The Fantastic Four: First Steps,” helping bring Marvel’s First Family to life in a vibrant retro-futuristic world.
The Last of Us: Season 2 | DNEG
Explore the cordy-ceptional work the team at DNEG crafted for The Last of Us Season 2
How To Train Your Dragon | Discovering Toothless
It takes a village to raise a dragon. See Christian Manz and his team at Framestore breakdown the work they did on Toothless.
The Visual Effects of Alien: Romulus | Wētā FX
For the Oscar nominated film Alien: Romulus, our artists pursued the practical aesthetic and atmosphere of the original Alien films and subtly enhanced the Offspring creature with touches of CG.
The Visual Effects of Alien: Romulus | ILM
From Xenomorphs and Facehuggers to spacecraft and environments, go Behind the Magic with ILM and explore the visual effects of Alien: Romulus in this exclusive breakdown.
Making The Creator | ILM
ILM Originals and Director Chris Hawkinson bring you an inside look at the filmmakers and artists that brought “The Creator” to the big screen.
The Visual Effects of Kingdom of the Planet of the Apes | Wētā FX
Out of 1,520 shots in Kingdom of the Planet of the Apes, only 38 had no visual effects and 33 minutes of the film were completely digital.
FX Simulations in Godzilla X Kong | Wētā FX
Lava, embers, water simulations - even the dust kicked up around their feet - everything needed to be scaled up to look believable interacting with 300-foot titans when Kong and Suko take on Skar King and his horde.
Creating Cosmo | GOTG Vo.3
Bringing Cosmo to the forefront in Guardians of the Galaxy Vol. 3 presented a unique challenge for the team at Framestore.
The VFX Of Godzilla Minus One | TOHO
Hear from writer, director, and VFX supervisor Takashi Yamazaki and learn more about the unique approach Shirogumi took with the visual effects of Godzilla Minus One.
The VFX of Chernobyl | DNEG
Go behind the scenes of HBO's Emmy Award winning 'Chernobyl' in our new Behind the VFX 4-part series.
1917 VFX Breakdown | MPC
MPC Film led the visual-effects work on 1917, with approximately 600 artists contributing to the film, which was shot almost entirely outdoors on locations around the United Kingdom.
The Martian VFX Breakdown | MPC
Led by Production VFX Supervisor Richard Stammers, and MPC VFX Supervisors Anders Langlands, MPC was lead VFX studio on Ridley Scott’s The Martian, delivering 425 shots.
Star Trek: Into Darkness VFX Breakdown | ILM
Star Trek Into Darkness contains over 1600 visual effects shots, created by Industrial Light & Magic, Pixomondo, Atomic Fiction and Kelvin Optical Inc.
Douglas Trumbull: Lighting The Enterprise | Star Trek
Douglas Trumbull painstakingly crafted the visual effects for Star Trek: The Motion Picture.