From Kentucky roots to a van full of stormtroopers, Chief Lighting Technician Alex Gaynor has lit some of the biggest shows in the galaxy, like The Mandalorian and The Book of Boba Fett.
Learn how Gaffer Justin Dickson, frequent collaborator with Paul Thomas Anderson and Michael Bauman, stays nimble and bright at night with limited power sources when shooting large swaths of downtown El Paso for One Battle After Another.
Dolby Labs are joined by Academy Award®-nominated cinematographer Hoyte Van Hoytema, ASC, FSF, NSC. He discusses how he got his start in the film business, working with Christopher Nolan, shooting “Oppenheimer” on film, how they did all those in-camera practical effects, and his fears about creating a dynamically visual film… with so much dialogue.
In this interview, learn how Oren Soffer and Greig Fraser scaled down their lighting package to shoot a blockbuster movie without any creative restraints.
Director of Photography, Eben Bolter, from The Last of Us, takes us through his approach to naturalistic lighting.
Go behind the scenes of Sony Pictures' new movie, Gran Turismo, to see how they capture real racing at high speed with real cars.
Director Matt Reeves joins Dolby Labs to discuss The Batman. This is part 2 of a special 2-part episode on this movie, where they discuss the film's incredible cinematography.